Philadelphia

Sizes

Philadelphia is made in 2 sizes. Size is the decision people skip and then notice every day: it sets how much grout line ends up in the field, and a larger module on the same wall reads calmer than a small one.

• 6x12x6
• 6X24

Finishes

It comes in one finish, split face.

• Split Face

Grout free

This one is designed to be set without grout lines. It installs faster and leaves nothing to discolor, but it also means the substrate has to be genuinely flat — we check that before we quote.

Piece-to-piece variation: Medium

Graded medium, which is the easy end of this scale. Order it, set it, and it looks like the sample — no dry lay, no shuffling boxes.

Certifications

On the certification side, Greenguard Gold · USGBC/LEED. The Gold standard was written for schools, which is a stricter bar than a kitchen would ever have to clear. Worth a LEED credit too, on the jobs that track them.

Countertop

• White Veined (Marble-Look) — the bright gallery kitchen — veining supplies the movement plain white lacks. Against this surface it is close in weight, so the two will blend rather than contrast classic
• Black / Charcoal Stone — tuxedo scheme; hides counter mess that white counters broadcast. Against this surface it is much darker than this surface, so the tile reads as the light element classic
• Butcher Block — farmhouse warmth; the wood counter keeps pure white from feeling clinical. Against this surface it is a step darker — enough separation to read as two materials classic
• Terrazzo (Warm White Base) — Confetti-chip terrazzo does all the talking above gallery-white cabinets, giving a minimal kitchen exactly one playful sentence.. Against this surface it is a step darker — enough separation to read as two materials current

Hardware

• Warm Brass / Satin Gold — gold on white is jewelry — warms the scheme instantly. Against this surface it is a step darker — enough separation to read as two materials classic
• Matte Black (Metal) — graphic modern-farmhouse standard. Against this surface it is much darker than this surface, so the tile reads as the light element classic
• Brushed Nickel — the resale-safe default; disappears politely. Against this surface it is a step darker — enough separation to read as two materials solid

Island

• Navy — the proven two-tone: white perimeter, navy island. Against this surface it is much darker than this surface, so the tile reads as the light element classic
• Sage Green — softer than navy, ages like a neutral. Against this surface it is a step darker — enough separation to read as two materials current
• Natural / White Oak — white uppers + oak island is the 2020s signature. Against this surface it is a step darker — enough separation to read as two materials current

Wall color

• Greige — walls one step warmer than the cabinets so the white reads crisp. Against this surface it is a step darker — enough separation to read as two materials classic
• Dusty Blue — coastal calm without committing colored cabinets. Against this surface it is a step darker — enough separation to read as two materials solid

Backsplash

• White Veined (Marble-Look) — full-height slab match with the counter — seamless and grout-free. Against this surface it is close in weight, so the two will blend rather than contrast current
• Sage Green — sage zellige tile adds handmade texture against flat white. Against this surface it is a step darker — enough separation to read as two materials current

Flooring

• Natural / White Oak — white boxes float beautifully on golden oak. Against this surface it is a step darker — enough separation to read as two materials classic
• Light Gray — gray tile keeps an all-white kitchen from glare — verify undertones in daylight. Against this surface it is a step darker — enough separation to read as two materials solid

Faucet

• Polished Chrome — bright-on-bright; budget-friendly and honest. Against this surface it is a step darker — enough separation to read as two materials solid

Cabinets

• Natural / White Oak — gallery walls let the grain be the art. Against this surface it is a step darker — enough separation to read as two materials classic

Steer away from

• Cream / Antique White — cream next to pure white makes the cream look dirty — pick one white family